- If someone offered you a dollar for either each word you can hear OR each word you can spell correctly, which would you choose?
- Which would make you the best shorthand writer: Realtime translation of each word you can hear OR of each word you can spell?
Question: I thought shorthand was written by sound. Why do you have to know how words are spelled before you can write them in shorthand for realtime translation?
Answer: Historically, shorthand theories have required that shorthand strokes be conformed to vowel spelling. For example, verse = VERS, worse = WORS, curse = KURS, first = FIRST. The vowel sounds are identical; but shorthand strokes follow the vowel spelling.
Question: Why is that a problem? Everyone knows how to spell those words. Are you saying writers of electronic shorthand shouldnt have to know how to spell?
Answer: Any work product should reflect perfect spelling, of course. But theres a big difference between:
- Preparing a perfectly-spelled transcript with the aid of an English language dictionary and a spell checker;
- Making sure your shorthand strokes reflect correct vowel spelling while writing machine shorthand at high speeds.
And there can be a huge difference between being a "good" spelleror even an "exceptional" spellerand being a "realtime" speller. Take the spelling quiz in the next column to see if youre a realtime speller.
- Each word starts with the sound in. Is the correct spelling EN or IN?
- Each word ends in the sound unt or uns. Is the correct vowel spelling E or A?
Indicate your answers by making a mark through the correct vowel. Time yourself. Complete the exercises as quickly as you can.
1 |
2 |
||||
| in twine | I | E | intend unt | A | E |
| in affable | I | E | anteded unt | A | E |
| in fold | I | E | cogniz unt | A | E |
| in tomb | I | E | discord unt | A | E |
| in act | I | E | rumin unt | A | E |
| in chain | I | E | imped unce | A | E |
| in anition | I | E | irrelev unt | A | E |
| in amor | I | E | pollut unt | A | E |
| in dowment | I | E | somnol unt | A | E |
| in gulf | I | E | ambi unce | A | E |
| in condite | I | E | sibil unt | A | E |
| in noble | I | E | flatul unce | A | E |
| in dure | I | E | reson unt | A | E |
| in grave | I | E | depend unt | A | E |
| in franchise | I | E | deterr unce | A | E |
| in cony | I | E | propell unt | A | E |
| in duce | I | E | virul unce | A | E |
| in lace | I | E | aberr unt | A | E |
| in shrine | I | E | pustul unt | A | E |
| in durate | I | E | belliger unt | A | E |
| in thrall | I | E | undul unt | A | E |
| in throne | I | E | exorbit unt | A | E |
| in close | I | E | insist unce | A | E |
| in capsulate | I | E | vigil unce | A | E |
If you completed both exercises in 45 seconds, you were making spelling decisions at a rate of approximately 70 words per minute. A text entry operator would have to make the same spelling decisions at 120-plus words per minute, a court reporter at 225-plus words per minuteboth while continuing to hear, comprehend, and write additional words.
Were you 95% accurate? Thats the least that would be required on a realtime skills testand would not be an acceptable level of accuracy on the job. Its unreasonable to expect even expert spellers to conform shorthand strokes to vowel spelling at 120- to 225-plus wpm.
Consider the following when deciding whether it makes sense for realtime shorthand theories to be spelling dependent:
The English language is estimated at 400,000-800,000 wordsof which the average adult has a recognition vocabulary of approximately 30-35,000 words and a use vocabulary of only approximately 10,000 words. The fact that youve never heard a word before probably means you cant spell itbut it shouldnt mean you cant write it in shorthand.
A theory which requires knowledge of correct spelling before words can be written for realtime translation no longer meets the needs of real people, of the business community, or of the court reporting profession.
Question: Why doesnt everyone just create their own translation dictionary? Then they could use shorthand outlines that match however they think words might be spelled.
Answer: If someone cant remember the spelling of the word, its just as unlikely theyll remember the spelling they decided to use in their dictionary entry. Also, creating a translation dictionary which is adequate for realtime writing is a very time-consuming, labor intensive project. Several thousand hours were spent creating the Phoenix translation dictionary and verifying that it is free of conflicts.
Question: If spelling dependence is such a big problem, why is Phoenix the only theory which has done something about it?
Answer: Before CAT (computer-aided translation of shorthand), it wasnt that important. If we didnt know the spelling, we just wrote the sound. It didnt matter how we wrote a word as long as we could read it.
But for realtime electronic shorthand, if steno strokes dont exactly match preprogrammed entries in a translation dictionary, they wont translate. Technology has changed and the needs of the profession have changed.
Question: So how can we write realtime electronic shorthand without having to know how words are spelled?
Answer: In the Phoenix Theory we write by sound and we omit most of the indistinct vowel sounds.
Question: Whoa! Writing vowels by sound makes sense so we can write words we dont know how to spell. But why omit vowels?
Answer: English has a vowel sound called the schwa vowelsometimes aptly called the unvoiced vowel because it has no distinct sound. It sounds like an unstressed uh or, less frequently, a soft, unstressed ih. Its the unstressed vowel sound heard in license, valance, grievous, parrot, rivet, palace, service, defendant, dependent, etc.
In kindergarten, we learned the vowels A, E, I, O, Ubut nobody said anything about a schwa vowel. So it would be easy to assume its an uncommon sound, not found in many words, and couldnt be that important to writing shorthand.
To the contrary! Per Funk & Wagnalls, the schwa vowel sound "occurs in most of the unstressed syllables in English speech." The schwa vowel sound is actually the most frequently used vowel in English speech. The majority of words of more than one syllable are pronounced with one or more schwa vowels.
Realistically, we must be able to write machine shorthand by sound, without a need to know how words are spelled in order to receive realtime translation. If we write by sound, we must have a key/key combination for the schwa vowel sound. But theres no unused key or key combination on the keyboard!
After analyzing the problem, it was determined that the simplest and most effective solution is to omit most schwa vowels. (Phoenix Vowel-Omission Principle, Patent Pending.)
Question: Doesnt omitting vowels make shorthand difficult to read?
Answer: As a matter of fact, it makes it easier to read. If a stroke doesnt include a vowel, its verbalized with an uh sound: DAM/-J DAM uhj; VES/-L VES uhl. Youre less likely to mispronounce a word if youre not influenced by seeing a vowel which doesnt represent the correct pronunciation.
Question: Doesnt omitting vowels create an awful lot of conflicts?
Answer: To the contrary! A major advantage of omitting vowels is that it automatically eliminates the vast majority of conflicts in word boundaries.
Homonyms are a nuisance. But theyre easy to recognize and theyre a nuisance weve learned to cope with.
The biggest area of conflict in machine shorthand, the one which has frustrated court reporters for the past 20-plus years and forced conventional theories to add dozens of rules which shorthand writers have to memorize and apply while writing, is the conflict in word boundaries. English uses the identical spelling for words, word beginnings, and word endings. For example: or, ordeal, candor; enclose, golden; in, insert, robin, etc. Frequently we even have one word spelled exactly the same as two words: carpet/car pet; bargain/bar gain, madam/mad am, etc.
Notice we said the spelling was identical. Other than homonyms, there are very few instances where pronunciation of a word or words causes conflicts. If we write shorthand by sound, and eliminate the schwa vowel sounds, we eliminate the majority of conflicts in word boundaries. Its almost ironic that stubbornly clinging to an insistence on conforming steno strokes to vowel spelling is primarily responsible for creating the conflicts which weve been trying so hardand sometimes so unsuccessfullyfor 20 years to eliminate.
There are 12 shorthand theories presently approved by NCRA (National Court Reporters Association). But there are really only three distinct choices:
CONVENTIONAL THEORIES
Conventional theories are machine shorthand theories which were in existence before CAT (computer-aided translation of shorthand) and which have been modified in an effort to become sufficiently computer compatible to be viable for writing electronic shorthand for realtime translation.
Not only are conventional theories very spelling dependent, but they have two additional major drawbacks:
DIGITEXT
The Digitext theory was created post-CAT and was designed specifically for realtime writing and has successfully eliminated virtually all conflicts with a minimum number of "rules."
Digitext is unique in its use of an algorithmic translation logic to compare steno strokes to a chart of word/word part spellings. This unique translation system also makes Digitext unique in the degree of knowledge of word structure and spelling required for writing shorthand successfully for realtime translation. Additionally, Digitext writers must understand the functioning of the algorithmic logic in joining word parts (increments of spelling) together and be able to apply that understanding while writing shorthand.
The Digitext translation chart pairs steno strokes with specific spellings. Words are translated by joining increments of spelling together. Examples:
Digitext realtime translation is presently limited to keyboards containing the Digitext translation logic (Impact, Foniks Writer).
PHOENIX
Phoenix Theory was introduced in 1996. It was specifically designed for realtime translation of electronic shorthand and has successfully eliminated virtually all conflicts with a minimum of "rules."
Phoenix is the only realtime theory which:
Phoenix Theory can be written on any shorthand keyboard manufactured for writing the English language. The Phoenix translation dictionary (132,000-plus entries) has been electronically verified to be free of conflicts. It is available in Case CATalyst formats, and can be formatted for compatibility with other CAT software.
A good way to evaluate a theoryor to make a comparison between theoriesis to examine the actual shorthand outlines. Is the theory operator-compatible, as well as computer-compatible? E.g.,
The following chart will help you in making a comparison. Weve attempted to make the steno as "reader friendly" as possible for the benefit of people who do not read/write shorthand. The letter L, for example, will be shown as L rather than the actual steno stroke HR-. Theories may vary in key combinations for specific endings such as -TH, -RCH, etc. Those differences have little significance for your purposes here and wont be demonstrated. Vowel sounds are also difficult for the non-writer/reader to make sense of and will be shown phonetically as:
Shaded areas of the following table indicate spelling dependency
| WORD | PRONUNCIATION | PHOENIX | DIGITEXT | Conventional | Comments; explanation |
| whale | hwail | WHAIL | WHAIL | WHAIL | All: WH- spelling is stroked WH-. |
| wrap | rap | WRAP | WRAP | WRAP | All: WR- spelling is stroked WR-. |
| food | food | FOOD | FOOD | FOOD | All: OO spelling is stroked AO. |
| hour | our | HOUR | HOUR | HOUR | All: Beginning silent Hs are included in stroke. |
| warn | worn | WARN | WARN | WARN | All: WAR spelling is stroked WAR. |
| know | noe | KPWOE | KPWOE | NOE | Phoenix & Digitext: KN- spelling is stroked KPW-. Conventional: treats as homonyms. |
| lass | las | LASZ | LASZ | LASZ | All: -SS spelling is stroked SZ for one-syllable words. Conventional: Also strokes -SS spelling as -SZ for multi-stroke words. |
| lassitude | LAS uh tood | LAS/TAOUD | LAS/TAOUD | LASZ/TAOUD | |
| induce | in DOOS | N-/DAOUS | *IN/DAOUS | IN/DAOUS | Digitext & Conventional: in- sound (beginning): spelling dependent. |
| endorse | in DORS | N-/DORS | *EN/DOERS | EN/DORS | |
| terror | TAIR ur | TAIR/-R | TER/OR | TER/ROR | Digitext & Conventional: air sound: spelling dependent. |
| tariff | TAIR if | TAIR/-F | TAIR/IF | TAIR/RIF | |
| period | PEER yud | PEER/Y-D | PEER/YOD | PEER/YOD | Digitext & Conventional: ear sound: spelling dependent. |
| pyramid | PEER uh mid | PEER/MID | PIR/MID | PEER/MID | |
| runner | RUN ur | RUN/-R | RUN/ER | RUN/ER | Digitext & Conventional: -ur sound (ending): spelling dependent. |
| donor | DOE nur | DOEN/-R | DOEN/OR | DOE/NOR | |
| polar | POE lur | PO/L-R | PO/LAR | POE/LAR | |
| martyr | MAR tur | MAR/T-R | MART/IR | MART/ER | |
| torture | TOR chur | TOR/CH-R | TORT/UR | TOR/CHUR | |
| wattage | WAUT ij | WAUT/-J | WAUT/AJ | WAT/AJ | Digitext & Conventional: aw sound: spelling dependent. |
| cottage | KAUT ij | KAUT/-J | KOT/AJ | KOT/AJ | |
| sadden | SAD un | SAD/-N | SAD/EN | SAD/-N | Digitext & Conventional: un sound
(ending): spelling dependent |
| cotton | KAUT un | KAUT/-N | KOT/ON | KOT/TON | |
| satin | SAT un | SAT/-N | SAT/IN | SAT/TIN | |
| tartan | TAR tun | TAR/T-N | TART/A*N | TAR/TAN | |
| surgeon | SUR jun | SUR/J-N | SURJ/ON | SUR/JON | |
| villain | VIL un | VIL/-N | VIL/AIN | VIL/LAIN | |
| region | REE jun | RE/J-N | REEJ/YON | RE/JON | |
| ermine | UR min | UR/M-N | *ER/MIYN | *ER/MIN | |
| servant | SUR vunt | SUR/V-NT | SERV/ANT | SER/VANT | Digitext & Conventional: unt sound (ending): spelling dependent. |
| serpent | SUR punt | SUR/P-NT | SERP/ENT | SER/PENT | |
| tandem | TAN dum | TAN/D-M | TAND/EM | TAN/DEM | Digitext & Conventional: um sound (ending): spelling dependent. |
| random | RAN dum | RAN/D-M | RAND/OM | RANDOM | |
| quantum | KWAUN tum | KWAUN/T-M | KWAUNT/UM | KWANT/UM | |
| madam | MAD um | MAD/-M | MAD/AM | MAD/AM | |
| denim | DEN um | DEN/-M | DEN/IM | DEN/IM | |
| atlas | AT lus | AT/L-S | AT/LAS | AT/LAS | Digitext & Conventional: us sound (ending): spelling dependent. |
| thermos | THUR mus | THUR/M-S | THERM/OS | THER/MOS | |
| cactus | KAK tus | KAK/T-S | KAKT/*US | KAK/TUS | |
| famous | FAI mus | FAIM/-S | FAIM/OUS | FAIM/OUS | |
| righteous | RIE chus | RI/CH-S | RIYT/YUS | RIY/CHOUS | |
| durable | DOOR uh bul | DUR/-BL | DUR/ABL | DAOUR/-BL | Digitext: ubl sound (ending): spelling dependent. |
| possible | PAUS uh bul | PAUS/-BL | POS/IBL | POSZ/-BL | |
| hesitance | HEZ uh tuns | HEZ/T-NS | HEZ/TANS | HEZ/TANS | Digitext & Conventional: uns sound (ending); spelling dependent. |
| residence | REZ uh duns | REZ/D-NS | REZ/DENS | REZ/DENS | |
| local | LOE kul | LO/K-L | LOEK/AL | LOE/KAL | Digitext & Conventional) ul sound (ending): spelling dependent. |
| pistol | PIS tul | PIS/T-L | PIFT/OL | PIS/TOL | |
| cancel | KAN sul | KANS/-L | KANS/EL | KANS/EL | |
| consul | KAUN sul | KAUN/S-L | KONS/UL | KON/SUL | |
| tonsil | TAUN sul | TAUN/S-L | TAUNS/IL | TON/SIL | |
| cattle | KAT UL | KAT/-L | KAT/EL | KAT/-L | |
| clerical | KLAIR uh kul | KLAIR/K-L | KLER/KAL | KLER/KAL | Digitext & Conventional: kul sound (ending): spelling dependent. |
| miracle | MEER uh kul | MEER/K-L | MIR/KEL | MIR/K-L | |
| study | STUD ee | STUD/AE | STUD/E | STUD/DI | Conventional: ee sound (ending): spelling dependent. |
| abbey | AB ee | AB/AE | A*B/E | AB/BAOE | |
| derby | DUR bee | DUR/BAE | DERB/E | DER/BI | |
| stony | STOEN ee | STOEN/AE | STOEN/E | STOE/N*I | |
| algae | AL jee | AL/JAE | A*LG/E | AL/JAE | |
| quickly | KWIK lee | KWIK/LAE | KWIK/LAOE | KWIK/LI | |
| quality | KWAUL uh tee | KWAUL/TAE | KWAUL/*IT | KWAUL/TI | |
| healthy | HEL thee | HEL/THAE | HELTH/E | HEL/TH*I | |
Spelling quiz:
|
Examples of
spelling-dependent rules to eliminate conflicts: "Words ending in -en are written as follows .If the middle consonants will not both fit on the same stroke or if the second consonant is clearly sounded in the syllable with the -en, combine it with EN on the last stroke Never write /EN as the last stroke of a word. "When -or ends a word, it is always written with the preceding consonant." "Use K- for COL- and COM- when the consonant is doubled Words with a strong accent on the first syllable may be written in two strokes if preferred If you use the two-stroke option be sure to include both consonants in your outline. When the consonant is not doubled, write the word out." "Use K- for COR- when the second syllable is accented .If the vowel following the double consonant is unaccented or if the consonant is not doubled, write out the prefix "cor-." "Words ending in (c)ain are written (c)AIN regardless of how they are pronounced." " the stroke /ANT should not end a word. If the final -ANT fits on the previous stroke, attach it If the final -ANT will not fit on the previous stroke, write it with an initial consonant on the last stroke .Though it is safe to write -ENT on a separate stroke, it generally follows the same pattern as -ANT." "Outlines should not end in the strokes /IN or /AN. These strokes are used to begin words. Always include a consonant with the -in or -an." "Words ending in ANS should also attach a consonant to the last stroke." "It is permissible to use the strokes AN, EN, and IN, respectively, for medial -an, -en, and -in if that is the most natural way to represent the word." "For words ending in a consonant + LE, you generally write /-L as a separate stroke .For words ending in -CLE or -KLE, use /-L as a separate stroke if the -K (for -c) fits on the previous stroke .Use /K-L as a separate stroke if the K doesnt fit or isnt sounded on the previous stroke." "Do not end a word with the stroke /AL. This stroke is only used to begin a word. Break after the vowel or double the consonant, if necessary." "Words ending in a consonant + IL are written as follows .Add an -L to represent -IL if it fits on the stroke and the "il" syllable is not accented .If the -L doesnt fit on the same stroke or if the "il" syllable is accented, break the word according to sound. Do not end a word with the stroke "/IL." Break after the vowel or double the consonant, if necessary." "Use (c) US for words ending in -US. Use -OUS (with or without an initial consonant) for words ending in -OUS. Be sure to include the initial consonant with words ending in -US." "When a word ends with a vowel (or vowel sound), do not use the vowel alone. Write it with the nearest consonant, even if it means doubling an undoubled consonant." " .a consonant is attached to the last stroke for words ending in -AN, -IN, -US .same principle is applied to words ending in the following high frequency words (-at, -it, -on, -or). "For words that begin with OR-, include a consonant in the first stroke if possible. If not possible, use O*R" "The stroke ER is only used for the words ending in -er. Most words beinning with ER- are written E/R. When ER is used as the first stroke, an asterisk must be included in the outline." "Because the following endings can also begin words, include a consonant on the final stroke when possible, even if you hear the consonant on the previous stroke .The few words which just dont lend themselves to putting the consonant on the last stroke cause no conflicts." (AK, EM, AR, IF) Etc., etc. |
||||